Last year, we published a video essay on Arnold Schwarzenegger that suggested that Arnold is much an auteur as the directors he has worked with. While most people still think of movies like Terminator and True Lies as the work of James Cameron, our own Matt Singer argued — and rather persuasively, I might add — that Arnold’s status as a cinematic auteur should be just as important a factor in how we evaluate his films. No matter who is behind the camera of an Arnold movie, you know the types of characters and narratives you are going to get.
For a movie that hasn’t been written yet and is still four years away from its release, we sure seem to know a lot about the upcoming Indiana Jones movie. We know that both Steven Spielberg and Harrison Ford will return, John Williams will write the score, George Lucas isn’t writing the story, and Indiana Jones will not get killed at the end of the movie. We also know that Disney is tinkering with giving the Indiana Jones franchise the Star Wars treatment, possibly exploring a combination of prequels, sequels, and standalone films all taking place in the Indiana Jones universe.
If you’re like me, even after all these years, you can still remember everything that happened in The Bourne Identity pretty clearly. It’s when you get to The Bourne Supremacy that things start to get a little fuzzy. I remember an early scene in the second film where Matt Damon’s Bourne and Franka Potente’s Marie are ambushed by Karl Urban’s Treadstone assassin, and then some sort of car chase in an Eastern European city, but that’s about the last major plot point I can keep straight in my head. Was Brian Cox in the second film? Didn’t the third film have some sort of investigative journalist? Did Bourne actually ever get his memory back in the three films? Does The Bourne Legacy even matter at all?
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